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An example is the early chase through the slum, with a frantic camera, plenty of colour (in terms of palate, places and people) and a great visual style with the sun hitting the camera from above as it moves and other effective devices.With this much movement in the camera throughout the film, the editing is key in making these scenes work and it is excellent throughout even putting the subtitles in a stylish and arresting fashion which helped sell the use of Hindi but does also match the style of the film more than standard text would have.It isn't helped by the dance number over the end credits, which involved lots of people and pushed the "isn't everything great" idea more than the proper conclusion of the story did.
"Running away from it is not going to help you find your answers.
As director Boyle delivers on all this and his use of music is great as well.
It does feel like we have the grit and style of City of God but yet also the warm uplifting story of the very best the "underdog" genre can provide.
I really enjoyed the fragmented time structure that uses the re-watching of the Millionaire questions in the police station as a trigger for flashbacks.
This means we are gripped by several threads/times rather than it being a straight flow.
In this way it is uplifting and (ultimately) a really cheering film that is worth seeing with an audience because it is one of those things that unites an audience with a common feeling of cheer and goodwill.